Sanjay Gupta's Jazbaa has had the audience's attention since the day
the film was announced. And it was revealed that this was the film
Aishwarya Rai Bachchan had chosen to return to the big screen with.
However, Jazbaa is a lukewarm comeback for Rai Bachchan. The day the
trailer released, people had their doubts about the film, and the film's
release just justified those doubts. But more on that later.
Advocate
Anuradha Verma (Aishwarya Rai Bachchan) is a single mother, whose
daughter Sanaya is kidnapped from school. Not delving into the shoddy
security of the school, Anuradha receives a call from a 'Private Number'
after the police reach her house for their investigation. Not
surprisingly, Verma is given an address and a task. Police officer Yohan
(Irrfan) is suspended on corruption charges. He requests his school
buddy Anu to fight for him. But of course, the task given by the
kidnapper keeps her busy. She has to fight the case of a rapist and
murderer inside the courtroom to ensure her daughter is safe. Thus
begins the (over)emotional ride called Jazbaa.
Aishwarya's
Anuradha is sincere and believable as both the lawyer whose sole aim in
life is to win her case, and as the grieving mother. As Sanaya's mother,
Aishwarya is extremely melodramatic and OTT, though. Sanjay Gupta makes
good use of the camera to focus on Ash's arresting eyes. As Yohan, the
cop-off-duty, Irrfan tries and stays true to his role. The dialogues he
is made to mouth, though, are downright painful. And physically so.
Sample this: "
Neend mashooka ki tarah hoti hai, waqt na do to rooth ke chali jaati hai aur phir manana mushkil hota hai". The '
rishton mein bharosa aur mobile mein network' one has been dissected to the core right when the trailer was released, so not going there again.
The
filmmakers deserve a standing ovation for getting together a strong
supporting cast comprising veterans like Shabana Azmi and Jackie Shroff.
Shabana is convincing in her role of Garima Choudhary; Jackie's accent
puts one off. Siddhanth Kapoor's few-minute-long role is commendable.
Chandan Roy Sanyal gets his killer act bang on.
The problem with
Jazbaa lies in the overdose of melodrama and dialogues that make your
ears bleed. The story isn't really anything to be praised here given
that the film is an official remake of the Korean thriller Seven Days.
The amount of green that is used in Jazbaa can make anyone crave for
anything not-green by the time he or she exits the theatre.
One
aspect that works in favour of the film is its run-time. In two hours,
Jazbaa does raise some pertinent questions about the way justice is
(un)delivered in the country. The music doesn't bother. The ghazal Jaane
Tere Shehar Ka stands out among the rest.
In all, Jazbaa is not
quite the re-entry to Bollywood Aishwarya's fans had been expecting. But
she does do a largely good job of nailing her mother-in-distress act...
when not screaming her lungs out or weeping her eyes out, that is.
Watch Jazbaa for the performances.
Source:http://indiatoday.intoday.in/story/jazbaa-movie-review-aishwarya-rai-bachchans-green-return-gift-to-bollywood-jazbaa-review-film-review-release-irrfan-sanjay-gupta/1/494407.html